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human_rites

june 25th – october 3rd, 2010
human rites
Gertrude Silverstone Muss Gallery

The Bass Museum of Art is pleased to present Human Rites.  This exhibition examines ritual through art; and it also examines art through ritual, depending on your point of view.   From mundane human activities to sacred practices, from the past through the present, rites and rituals have been pervasive subjects in  artistic practice.  Human Rites will present works such as 15th  century devotional polychrome statues of Mary and 16th century altarpieces alongside works by renowned contemporary artists. This juxtaposition of works circumscribes the timelessness of rituals, expressed historically and anthropologically in religious, as well as other contexts.

Works of art in this exhibition also reflect both the subconscious and premeditated human need for rituals in our every day lives. Votive works by Janine Antoni and Marina Abramovich survey the ceremonial aspects of womanhood; Rirkrit Tiravanija’s Buddha figurines describe the devotional offerings that people manufacture for their gods; collected items by artists like Mark Dion, John Beech, and César Trasobares investigate  form, the found object and performative aspects; Allan McCollum 's repetitive series' reflect the construction of objects as substitutes for the real object. Ai Wei Wei uses the bicycle as both symbol and found object in the construction of a monumental totem form. Artists in the exhibition include: Thomas Hirschhorn, Priscilla Monge, El Anatsui, Erwin Wurm, Mark Dion, Christian Boltanski and Cesar Trasobares, and others.

Curated by Silvia Karman Cubiñá, Bass Museum of Art Executive Director and Chief Curator, and Steve Holmes, Adjunct Curator, Bass Museum of Art. This exhibition is the second of three exhibitions in The Endless Renaissance  series  at the Bass Museum, that began with the exhibition The Endless Renaissance in 2009 and will conclude with a publication in 2012.

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mummy_image

egyptian gallery
florida's only egyptian gallery
now open

kaiser and kosh family gallery

The gallery offers a unique opportunity to learn about one of the world's oldest and most mysterious civilizations from its surviving objects, including an Egyptian sarcophagus and mummy! Additionally, the gallery showcases fourteen objects of Egyptian antiquity including a gift to the museum and long-term loans from the Brooklyn Museum, Lowe Art Museum and Private Collections.

for membership information: mummy@bassmuseum.org

The Bass Museum of Art is generously funded by the City of Miami Beach, Cultural Affairs Program, Cultural Arts Council; with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners and the Friends of the Bass Museum, Inc. This Egyptian Gallery is made possible with the support of the Miami Beach Visitor and Convention Authority and sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, the Florida Arts Council, the National Endowment for the Arts and the Friends of the Bass Museum, Inc. Additional support provided by IKEPOD, Duane Morris LLP, CBIZ MHM, LLC, FORTRESS/Museum Quality Storage® & Services, Austin Powder Company, Kevin Bruk Gallery, Ilona and Chad Oppenheim, Citizens Interested in Arts, Inc. and Jacober + Associates.

Click for the Miami Beach Visitor and Convention Authority

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october 2 - november 7, 2010
ellen harvey
Henri and Flore Lesieur Pavilion

New York based artist Ellen Harvey will present a special installation of paintings inspired by the museum’s permanent collection, in particular – the nudes.

Between 1999 and 2001, small old-fashioned landscapes painstakingly executed in oil started to appear on graffiti sites across New York City. The paintings were the work of the well-known artist Ellen Harvey. Documented here are both the works and Harvey’s diaristic accounts of painting illegally throughout the city. The narrative of her "beautification project" is both provocative and hilarious. It touches on such issues as who is allowed to make art in our society, and what distinguishes art from graffiti, while never losing touch with the frequently comical reality of creating a contemporary art project on the streets of New York.

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collections

ongoing
selections from the collection
Sol. M. Taplin Gallery and Peter E. and AnneMarie H. Houghton Gallery

The permanent collection of the Bass Museum of Art spans more than five hundred years and four continents, including works from Renaissance and Baroque paintings; Rococo court painting and English portraiture; painting and sculpture of North America, 19th and 20th century landscape and history paintings; painting and sculpture of North America, Latin America and the Caribbean; contemporary photography; Asian art; European decorative arts; as well as a unique collection of works on paper. Works from the collection will be rotated on a regular basis in the Bass Museum’s Taplin Gallery, as well as the newly renovated Peter E. and Annemarie H. Houghton Gallery, located on the first level of the museum.

Also on view is The Tournament, which has a particularly prestigious provenance in that it was part of Henry VIII’s collection at Knole House in England and was later purchased by J. Pierpont Morgan in the early twentieth-century before it came into John Bass’s collection.

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